Joanne Mattera does a quick recap:
SOME FAVORITE POSTS Armory Show and the New York Fairs 2008 Artist as Curator Fair Factor: Report from Miami Beach 2007 I Am Not an 'Encaustic Artist' Luxe, Calme et Volupte: A Meditation on Visual Pleasure New York's Extended Minimal Moment (on Two Artists Talking) No, I Will Not Donate To Your Auction Notes on Curating Notes on Jurying On the Geometric Trail (Un) Familiar Territory: Martin Puryear at MoMA
Joanne Mattera shows how it is done:
SOME FAVORITE POSTS Armory Show and the New York Fairs 2008 Artist as Curator Fair Factor: Report from Miami Beach 2007 I Am Not an 'Encaust ic Artist' Luxe, Calme et Volupte: A Meditation on Visual Pleasure New York's Extended Minimal Moment (on Two Artists Talking) No, I Will Not Donate To Your Auction Notes on Curating Notes on Jurying On the Geometric Trail (Un) Familiar Territory: Martin Puryear at MoMA
Still not being convinced, Joanne Mattera replies:
Brooklyn Days C-Monster Carol Diehl, Artvent Catherine Carter Art Catherine Spaeth Chez Namaste Nancy Chris Ashley: Look, See
As a result of that, Joanne Mattera belives:
7.13.09: Rejecting a Gallery 7.6.09: "How to Start ... a Gallery" 6.29.09: Q&A w/ Jackie Battenfield
Meanwhile, Joanne Mattera came up with this idea:
6.1.09: How Long. . . Leave work ? 5.25.09: Gallery Business 5.18.09: The Vanity Gallery
As a result of that, Joanne Mattera belives:
10:16 AM Leiflet said... ..wow. So pretty! i know that s not an intelligent comment, but it needs to be said. 11:16 AM
Joanne Mattera considers that:
Joanne Mattera can't forget that:
I hear your concerns. If the gallery were one that rarely showed women, I would feel differently. But Cheim and Reid have an impressive roster of artists who are women: Benglis, Bourgeois, Fishman, Holzer, Prieto, Steir, the estates of Arbus, Mitchell and Neel, and a few others; and shows by those artists appear regularly through the year. True, the roster is about 2/3 men, but I do give C&R their props as they regularly mount great shows by the women on their roster, and not just in August. Their big-gun girls are always represented at the big art fairs, too. Actually, I thought this was theme for a summer show.
Joanne Mattera is not really sure about that:
The three images below are what you see when you enter the main gallery. The vitrine with a Louise Bourgeois sculpture will orient you as we turn counterclockwise around the room. You can see these and all the works on the gallery's checklist . (These three images are mine; the gallery has many more.)
Joanne Mattera can't forget that:
What you see when you enter, above: a small cut-paper work by Kara Walker, Untitled , 1995 (foreground, under the exhibition title); and Deborah Kass, Double Red Barbara (The Jewish Jackie Series), 1993. The two photographic portraits below are also in this r oom
Sources:
Joanne Mattera Joanne Mattera
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