Joanne Mattera sees it this way:
6.1.09: How Long. . . Leave work ? 5.25.09: Gallery Business 5.18.09: The Vanity Gallery
Joanne Mattera also takes into account the following fact:
Artist Emerging Artistic Collaborations Artopia ARTtistics Artworld Salon Bay Area Art Quake Big Red and Shiny
Joanne Mattera also takes into account the following fact:
Stephen Haller: Remembering Morandi When he was a young man, the New York art dealer Stephen Haller had a brief but life-changing friendship with Giorgio Morandi, who was nearing the end of his days. Click pic below for story.
Joanne Mattera can't forget that:
Pages from the Artform article on Benglis. The ad appeared up front; this article by Robert Pincus-Witten was in the "well" where the features are
Joanne Mattera remembers that:
Friday, August 07, 2009 Still Powerful After All These Years . Lynda Benglis is a Material Girl, employing mediums to suit her message, whether it's latex, wax, glass, fabric, collage, or video. You might have seen her poured latex floor pieces? Or perhaps he r sculptural wax paintings? Or her metal wall sculptures cast from pleated fabric?
Joanne Mattera brings some great news:
Sex, sex and sex: Louise Bourgeois, Couple, 2004, fabric and stainless steel, 11 x 28 x 14 1/2 inche, in the vitrine; behind that, Joan Semmel, Flip-Flop, 1971, oil on canvas, 68 x 138 inches .To the right: Lisa Yuskavage (hate it)
However, Joanne Mattera states that:
The three images below are what you see when you enter the main gallery. The vitrine with a Louise Bourgeois sculpture will orient you as we turn counterclockwise around the room. You can see these and all the works on the gallery's checklist . (These three images are mine; t he gallery has many more.)
In response, Joanne Mattera claims:
Left: Berenice Abbott, Mme. Theodore Van Rysselberghe, 1926-30, vintage gelatin silver print, 10 x 8 inches; right: Julia Margaret Cameron, May Prinsep (Head of Saint John), 1866, albumen print, 13 x 10 1/2 inches. Both images from the gallery website
However, Joanne Mattera states that:
The Women: Part 1: "Daughters . . ." at Pavel Zoubok .. If I exhaled at Daughters of the Revolution, I was positively breathless at The Female Gaze, so welcome was it to see so much work by women in just two shows in Chelsea at the same time. . The curatorial conceit at Cheim & Read is to counter the notion of the male gaze by providing a group of works in which "the artist and subject do not relate as 'voyeur' and 'object' but as woman and woman.' " In this beautifully curated show, which spans over a century, 40 female artists--many from their own roster--turn the conventional male gaze inside out. Here there's pleasure in equality versus the longstanding idea of power over passivity.
Joanne Mattera scans the other's answers and reply:
The Female Gaze , is up through September 19 at Cheim & Read, 547 W. 25th. Go gaze. . If you can't make it to New York between now and then, the gallery website contains great installation shots, some of which I pulled and posted here (with attribution) and an image of every work in the show.
Sources:
Joanne Mattera Joanne Mattera
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